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The loud SPL Core 4099 Instrument Microphone from DPA is a supercardioid microphone with a 5.5" gooseneck that is designed to capture audio in a variety of applications: from piano to guitar, strings to woodwinds, or brass to percussion instruments. You can move the mic to another instrument by using the designated clip (sold separately) to mount it correctly. The Core amplifier technology offers an increased performance and natural sound across the entire dynamic range. Furthermore, the supercardioid polar pattern allows the microphone to reject unwanted noise and accurately capture the true voice of your acoustic instrument. The Core 4099 requires a cable and adapter (sold separately).The extreme SPL Core 4099 Instrument Microphone from DPA is a supercardioid microphone with a 5.5" gooseneck that is designed to capture audio in a variety of applications: from piano to guitar, strings to woodwinds, or brass to percussion instruments. You can move the mic to another instrument by using the designated clip (sold separately) to mount it correctly. The Core amplifier technology offers an increased performance and natural sound across the entire dynamic range. Furthermore, the supercardioid polar pattern allows the microphone to reject unwanted noise and accurately capture the true voice of your acoustic instrument. The Core 4099 requires a cable and adapter (sold separately).The extreme SPL Core 4099 Instrument Microphone from DPA is a supercardioid microphone with a 5.5" gooseneck that is designed to capture audio in a variety of applications: from piano to guitar, strings to woodwinds, or brass to percussion instruments. You can move the mic to another instrument by using the designated clip (sold separately) to mount it correctly. The Core amplifier technology offers an increased performance and natural sound across the entire dynamic range. Furthermore, the supercardioid polar pattern allows the microphone to reject unwanted noise and accurately capture the true voice of your acoustic instrument. The Core 4099 requires a cable and adapter (sold separately).Capture the full, rich sound of your kick drum accurately with the 4055 Kick Drum Microphone from DPA. Unlike other bass drum mics that are tailored to emphasize certain frequencies for specific genres, the 4055 aims for a more linear response with only a subtle 6 dB boost in the 10 kHz range. This more sonically neutral approach captures the true sound of the drum, letting you add your own EQ, if necessary, to work within the context of your mix. The package includes the UA0961 microphone holder, and the asymmetrical design makes it easy to place the mic inside or outside of the kick drum. Slide the mic into the bass drum for more attack or place it just outside the hole for maximum subs and bottom-end. The linear on- and off-axis response provide a round yet tight sound with extended low end and detailed mid and high frequencies. Robust housing protects the mic from even the most aggressive performers, while wind-damping foam behind the capsule protects the microphone element and keeps excess air noise in check.Capture the full, rich sound of your kick drum accurately with the 4055 Kick Drum Microphone from DPA. Unlike other bass drum mics that are tailored to emphasize certain frequencies for specific genres, the 4055 aims for a more linear response with only a subtle 6 dB boost in the 10 kHz range. This more sonically neutral approach captures the true sound of the drum, letting you add your own EQ, if necessary, to work within the context of your mix. The package includes the UA0961 microphone holder, and the asymmetrical design makes it easy to place the mic inside or outside of the kick drum. Slide the mic into the bass drum for more attack or place it just outside the hole for maximum subs and bottom-end. The linear on- and off-axis response provide a round yet tight sound with extended low end and detailed mid and high frequencies. Robust housing protects the mic from even the most aggressive performers, while wind-damping foam behind the capsule protects the microphone element and keeps excess air noise in check.The DC4099 Mounting Clip from DPA Microphones is a spare or replacement clip that allows you to attach a DPA Microphones 4099D clip microphone to drums or various percussion instruments. It is identical to the clip that comes with the original package. The drum clip itself features a versatile mounting system that allows for several mic positions.The DC4099 Mounting Clip from DPA Microphones is a spare or replacement clip that allows you to attach a DPA Microphones 4099D clip microphone to drums or various percussion instruments. It is identical to the clip that comes with the original package. The drum clip itself features a versatile mounting system that allows for several mic positions.The DPA Microphones Mounting Clip is designed to fit a DPA 4099C Clip Microphone for Cello. It is interchangeable with other DPA 4099 series instrument microphones. The clip holds the mic to the instrument.The DPA Microphones Mounting Clip is designed to fit a DPA 4099C Clip Microphone for Cello. It is interchangeable with other DPA 4099 series instrument microphones. The clip holds the mic to the instrument.Mic your double bass with the BC4099 Instrument Mic Mounting Clip from DPA Microphones. Designed to fit a DPA d:vote 4099 Microphone for double bass, this mounting clip attaches to the E and G strings of your instrument between the tailpiece and the bridge, enabling you to place the gooseneck mic in a variety of positions including the sweet spot between the bridge and fingerboard. The mount can be easily unclipped and moved from one instrument to another without blemishing the instruments' finish.Mic your double bass with the BC4099 Instrument Mic Mounting Clip from DPA Microphones. Designed to fit a DPA d:vote 4099 Microphone for double bass, this mounting clip attaches to the E and G strings of your instrument between the tailpiece and the bridge, enabling you to place the gooseneck mic in a variety of positions including the sweet spot between the bridge and fingerboard. The mount can be easily unclipped and moved from one instrument to another without blemishing the instruments' finish.This Stand Mount with 3/8" Thread from DPA Microphones Mic Stand Mount can be used on both 3/8" as well as 5/8" threads (via an included insert). The barrel design of the actual mic holder, known from other DPA mounting options, makes it easy to insert and remove the microphone quickly and easily. In addition, the holder can be turned so the microphone can point vertically or horizontally, as the situation requires. The MS4099 is a sturdy, flexible solution for mounting the 4099 Instrument Microphone. Also compatible with the 4097 CORE Micro Shotgun Microphone. ?This Stand Mount with 3/8" Thread from DPA Microphones Mic Stand Mount can be used on both 3/8" as well as 5/8" threads (via an included insert). The barrel design of the actual mic holder, known from other DPA mounting options, makes it easy to insert and remove the microphone quickly and easily. In addition, the holder can be turned so the microphone can point vertically or horizontally, as the situation requires. The MS4099 is a sturdy, flexible solution for mounting the 4099 Instrument Microphone. Also compatible with the 4097 CORE Micro Shotgun Microphone. ?The DPA CM4099 clamp mount lets you easily clip your 4099 microphone on saxophones, brass instruments, and a variety of other instruments. The clamp's flexible design supports a wide array of mounting and positioning options, and it allows for quickly moving the mic between instruments with just one hand, without scratching the finish.The DPA CM4099 clamp mount lets you easily clip your 4099 microphone on saxophones, brass instruments, and a variety of other instruments. The clamp's flexible design supports a wide array of mounting and positioning options, and it allows for quickly moving the mic between instruments with just one hand, without scratching the finish.The DPA GC4099 Guitar Mounting Clip is designed to mount the DPA 4099 onto guitars and dobros.The DPA GC4099 Guitar Mounting Clip is designed to mount the DPA 4099 onto guitars and dobros.The PC4099 Magnet Mount from DPA Microphones is a spare or replacement magnetic mount for DPA 4099P stereo microphone system. It is identical to the magnetic mounts that come with the original package, and can be used with various instruments with magnetic surfaces. The mount provides a secure placement on a piano sound board.The PC4099 Magnet Mount from DPA Microphones is a spare or replacement magnetic mount for DPA 4099P stereo microphone system. It is identical to the magnetic mounts that come with the original package, and can be used with various instruments with magnetic surfaces. The mount provides a secure placement on a piano sound board.The DPA STC4099 Saxophone Mounting Clip is designed to mount the DPA 4099 onto saxophones, trumpets, clarinets, etc.The DPA STC4099 Saxophone Mounting Clip is designed to mount the DPA 4099 onto saxophones, trumpets, clarinets, etc.The UC4099 Universal Clip from DPA Microphones is a spare or replacement mounting system for a DPA 4099U universal clip microphone; it's identical to the original clip that comes with the mic system. The hook-and-loop fastener strap affords wide-ranging compatibility -- it allows the holder to fit instruments like an oboe, clarinet, bassoon, recorder and flute, and more. The hook-and-loop fastener band pulls tight to fit the circumference of the instrument. In the case of instruments with a large diameter, additional fastener straps are available separately to extend the capacity of the clip.The UC4099 Universal Clip from DPA Microphones is a spare or replacement mounting system for a DPA 4099U universal clip microphone; it's identical to the original clip that comes with the mic system. The hook-and-loop fastener strap affords wide-ranging compatibility -- it allows the holder to fit instruments like an oboe, clarinet, bassoon, recorder and flute, and more. The hook-and-loop fastener band pulls tight to fit the circumference of the instrument. In the case of instruments with a large diameter, additional fastener straps are available separately to extend the capacity of the clip.The DPA VC4099 Violin Mounting Clip is designed to mount the DPA 4099 onto violins, mandolins, banjos, etc.The DPA VC4099 Violin Mounting Clip is designed to mount the DPA 4099 onto violins, mandolins, banjos, etc.The 3.15” Gooseneck Extension from DPA Microphones is used with the 4099 instrument microphone.The 3.15” Gooseneck Extension from DPA Microphones is used with the 4099 instrument microphone.The black 5.9' Miniature Microdot Extension Cable from DPA Microphones features a Microdot connector on one end and a Microdot connector on the other. It can be used to extend the distance of a headset or instrument microphone in audio applications, such as for broadcast TV, theater actors, public speakers, houses of worship, and more. In addition, the cable is 1.6mm in diameter.The black 5.9' Miniature Microdot Extension Cable from DPA Microphones features a Microdot connector on one end and a Microdot connector on the other. It can be used to extend the distance of a headset or instrument microphone in audio applications, such as for broadcast TV, theater actors, public speakers, houses of worship, and more. In addition, the cable is 1.6mm in diameter.The black 5.9' Heavy Duty Miniature Microdot Extension Cable from DPA Microphones features a Microdot connector on one end and a Microdot connector on the other. It can be used to extend the distance of a headset or instrument microphone in audio applications, such as for broadcast TV, theater actors, public speakers, houses of worship, and more. In addition, the cable is 2.2mm in diameter.The black 5.9' Heavy Duty Miniature Microdot Extension Cable from DPA Microphones features a Microdot connector on one end and a Microdot connector on the other. It can be used to extend the distance of a headset or instrument microphone in audio applications, such as for broadcast TV, theater actors, public speakers, houses of worship, and more. In addition, the cable is 2.2mm in diameter.The DAD4099-BC Micro-Dot to XLR with Belt Clip and Low Cut filter by DPA Microphones features an 80 Hz low-cut roll-off filter and provides a balanced output signal for the DPA 4099 Instrument microphone. A belt clip is included.The DAD4099-BC Micro-Dot to XLR with Belt Clip and Low Cut filter by DPA Microphones features an 80 Hz low-cut roll-off filter and provides a balanced output signal for the DPA 4099 Instrument microphone. A belt clip is included.The compact 2011C Twin Diaphragm Cardioid Microphone from DPA features a modular capsule design and sonic character. It contains a cardioid condenser capsule suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. Additionally, the microphone maintains a linear tonal response when closely positioned near speaker cabinets, percussion, and other instruments. Its modular design allows users to manually switch optional capsules, providing versatility and performance. The 2011C's output stage offers the MMP-C preamplifier for faithful recreations of the original source material. The package includes a microphone clip and windscreen.The compact 2011C Twin Diaphragm Cardioid Microphone from DPA features a modular capsule design and sonic character. It contains a cardioid condenser capsule suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. Additionally, the microphone maintains a linear tonal response when closely positioned near speaker cabinets, percussion, and other instruments. Its modular design allows users to manually switch optional capsules, providing versatility and performance. The 2011C's output stage offers the MMP-C preamplifier for faithful recreations of the original source material. The package includes a microphone clip and windscreen.The 4006A Omnidirectional Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features an omnidirectional condenser element for a linear high-frequency response and detail. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. Separately sold acoustic modification accessories, including a nose cone and interchangeable protection grids, allow the 4006A to acoustically transform without changing the phase and sonic character of the microphone. An output stage provides faithful recreations of the original source material and an included microphone clip and windscreen.The 4006A Omnidirectional Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features an omnidirectional condenser element for a linear high-frequency response and detail. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. Separately sold acoustic modification accessories, including a nose cone and interchangeable protection grids, allow the 4006A to acoustically transform without changing the phase and sonic character of the microphone. An output stage provides faithful recreations of the original source material and an included microphone clip and windscreen.The 4011A Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and other sources in live sound reinforcement and crucial recording applications. It features a cardioid condenser element for minimizing off-axis noise in spot-miking applications and an output stage that provides faithful recreations of the original source material. A switchable 20 dB pad provides added headroom and minimizes distortion while capturing transient signals. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments.The 4011A Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and other sources in live sound reinforcement and crucial recording applications. It features a cardioid condenser element for minimizing off-axis noise in spot-miking applications and an output stage that provides faithful recreations of the original source material. A switchable 20 dB pad provides added headroom and minimizes distortion while capturing transient signals. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments.The 4015A Wide Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features a wide cardioid condenser element for minimizing off-axis noise and providing a linear tonal response at the off-axis sections. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. There is a 20 dB pad switch in the center of the XLR connector to prevent overloading of the amp and an output stage that provides faithful recreations of the original source material. The package includes a microphone clip and a windscreen.The 4015A Wide Cardioid Microphone from DPA is designed for capturing vocals, close miking instruments, amplifier cabinets, and similar sources in live sound reinforcement and crucial recording applications. It features a wide cardioid condenser element for minimizing off-axis noise and providing a linear tonal response at the off-axis sections. Additionally, the microphone allows you to maintain a linear tonal response when closely positioning it near speaker cabinets, percussion, and other instruments. There is a 20 dB pad switch in the center of the XLR connector to prevent overloading of the amp and an output stage that provides faithful recreations of the original source material. The package includes a microphone clip and a windscreen.The 4018ER Supercardioid Microphone with Rear Active Cable from DPA is designed for capturing professional-grade audio. It can be used for music recording in broadcast, ENG, film, and long-distance miking applications such as booming, dialogue, interview, and table or spot-recordings. The microphone features a uniform and controlled supercardioid capsule that provides maximum separation without off-axis frequency peaks and dips for an even sound around the microphone. Additionally, the rear lobe pattern is minimized for isolation. The 4018ER offers a frequency range of 20 Hz to 20 kHz and is suitable for use as a spot or hanging mic for orchestra recording situations. The microphone is powered by 48V of phantom power and includes an SM4000-C suspension mount.The 4018ER Supercardioid Microphone with Rear Active Cable from DPA is designed for capturing professional-grade audio. It can be used for music recording in broadcast, ENG, film, and long-distance miking applications such as booming, dialogue, interview, and table or spot-recordings. The microphone features a uniform and controlled supercardioid capsule that provides maximum separation without off-axis frequency peaks and dips for an even sound around the microphone. Additionally, the rear lobe pattern is minimized for isolation. The 4018ER offers a frequency range of 20 Hz to 20 kHz and is suitable for use as a spot or hanging mic for orchestra recording situations. The microphone is powered by 48V of phantom power and includes an SM4000-C suspension mount.The 4041-SP Large-Diaphragm Microphone from DPA is a professional, highly versatile omnidirectional modular microphone for use in professional recording applications. The 4041-SP consists of the company's MMC4041 Large-Diaphragm Capsule and MMP-4000SP 48V phantom solid state preamplifier. There is also an included microphone holder for securing the microphone in a wide range of situations. The modular design enables the 4041 to be interchanged with any of the available DPA modular preamplifiers. The sensitivity and acoustic characteristics of the 4041 make it an excellent choice for vocals, instruments, orchestral ensembles, and similar applications. Note: All DPA microphones feature a MicroDot connection and require an adapter for use with specific wireless microphone transmitters.The 4041-SP Large-Diaphragm Microphone from DPA is a professional, highly versatile omnidirectional modular microphone for use in professional recording applications. The 4041-SP consists of the company's MMC4041 Large-Diaphragm Capsule and MMP-4000SP 48V phantom solid state preamplifier. There is also an included microphone holder for securing the microphone in a wide range of situations. The modular design enables the 4041 to be interchanged with any of the available DPA modular preamplifiers. The sensitivity and acoustic characteristics of the 4041 make it an excellent choice for vocals, instruments, orchestral ensembles, and similar applications. Note: All DPA microphones feature a MicroDot connection and require an adapter for use with specific wireless microphone transmitters.The DPA Microphones Gooseneck Shock Mount for ?can be used to mount a microphone on an instrument. It is a combination?of an 4.5" long gooseneck and shock mount. You can use it together with your choice of instrument clip and easily attach the mount to your specific instrument. The Gooseneck Shock Mount is intended for use with any d:dicate Recording Microphone that fits into the holder. The gooseneck provides stable and repeatable positioning. The mount has an integrated shock mount solution ensuring the sound is not affected by handling noise. This mount can be used for close-miking instruments in the studio or for live performances.The DPA Microphones Gooseneck Shock Mount for ?can be used to mount a microphone on an instrument. It is a combination?of an 4.5" long gooseneck and shock mount. You can use it together with your choice of instrument clip and easily attach the mount to your specific instrument. The Gooseneck Shock Mount is intended for use with any d:dicate Recording Microphone that fits into the holder. The gooseneck provides stable and repeatable positioning. The mount has an integrated shock mount solution ensuring the sound is not affected by handling noise. This mount can be used for close-miking instruments in the studio or for live performances.The DPA Compact Microphone Shock Mount is a shock mount designed for use with compact microphones measured at 19mm in diameter (.75"). The mount features rubber isolation for optimum resistance against noise caused by shock and a threaded fitting that accommodates the most popular international threads.The DPA Compact Microphone Shock Mount is a shock mount designed for use with compact microphones measured at 19mm in diameter (.75"). The mount features rubber isolation for optimum resistance against noise caused by shock and a threaded fitting that accommodates the most popular international threads.Mount your microphone with true security; use DPA's Microphone Holder, which fits all DPA's large diaphragm and standard microphones plus other microphones with 19 mm housings. DPA delivers extreme quality; start here.Mount your microphone with true security; use DPA's Microphone Holder, which fits all DPA's large diaphragm and standard microphones plus other microphones with 19 mm housings. DPA delivers extreme quality; start here.The MC4001 Microphone Clip from DPA fits the recess at the MMP-E active cable preamp. It can be used with hanging mics or low-profile table or instrument mics (sold separately) to attach them to a 3/8" threaded mic stand.The MC4001 Microphone Clip from DPA fits the recess at the MMP-E active cable preamp. It can be used with hanging mics or low-profile table or instrument mics (sold separately) to attach them to a 3/8" threaded mic stand.From DPA, this Diffuse-field Grid mounts to the DPA 4003, 4006, 3503, 3506, 4051, 4052 and 4053 microphone capsules. The grid is a designed to provide a 6dB boost at 15kHz for better intelligibility and clarity at the high frequency spectrum.From DPA, this Diffuse-field Grid mounts to the DPA 4003, 4006, 3503, 3506, 4051, 4052 and 4053 microphone capsules. The grid is a designed to provide a 6dB boost at 15kHz for better intelligibility and clarity at the high frequency spectrum.From DPA, this Close-Miking Field Grid mounts to the DPA 4003 and 4006 microphone capsules. The grid is designed to provide a neutral frequency response across the audio range from 10Hz to 15kHz ( /- 2 dB). A soft roll-off at 15kHz reproduces high frequencies with stable reproduction and low distortion due to sibilance and noise. The grid is designed for close proximity capturing.From DPA, this Close-Miking Field Grid mounts to the DPA 4003 and 4006 microphone capsules. The grid is designed to provide a neutral frequency response across the audio range from 10Hz to 15kHz ( /- 2 dB). A soft roll-off at 15kHz reproduces high frequencies with stable reproduction and low distortion due to sibilance and noise. The grid is designed for close proximity capturing.The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018V Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018V Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).The FAADPA2B Handle from DPA Microphones is designed for use with the d:facto II Vocal Microphone.The FAADPA2B Handle from DPA Microphones is designed for use with the d:facto II Vocal Microphone.The d:facto II Outer Grid and Complete Assembly for Handheld Vocal Microphone from DPA comes with a windscreen and pop filter assembly. The mic is sold separately.The d:facto II Outer Grid and Complete Assembly for Handheld Vocal Microphone from DPA comes with a windscreen and pop filter assembly. The mic is sold separately.Mount your 2028 condenser mic on a stand with this Clip for 2028 Vocal Microphone from DPA Microphones. Designed for allowing you to mount your handheld microphone quickly and securely on a mic stand. The clip features an adjustable angle, so that once mounted, you can make quick adjustments to match your mic position preference. The flexible clip holds the mic securely yet yields to you when you pull the mic from the holder.Mount your 2028 condenser mic on a stand with this Clip for 2028 Vocal Microphone from DPA Microphones. Designed for allowing you to mount your handheld microphone quickly and securely on a mic stand. The clip features an adjustable angle, so that once mounted, you can make quick adjustments to match your mic position preference. The flexible clip holds the mic securely yet yields to you when you pull the mic from the holder.The black 2028 Vocal Supercardioid Handheld Microphone from DPA is designed for the unique challenges of live stage performances. It can be utilized to capture audio and deliver a transparent, natural vocals for live stage, theater, and broadcast applications. The 2028 is powered by 48V phantom power and the supercardioid capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter is specific for the 2028 microphone. Furthermore, on a live stage, the 2028 needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts.The black 2028 Vocal Supercardioid Handheld Microphone from DPA is designed for the unique challenges of live stage performances. It can be utilized to capture audio and deliver a transparent, natural vocals for live stage, theater, and broadcast applications. The 2028 is powered by 48V phantom power and the supercardioid capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter is specific for the 2028 microphone. Furthermore, on a live stage, the 2028 needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts.The DPA?DAD6001 is an adapter featuring XLR and Microdot connections allowing you to attach a miniature DPA microphone to a preamp, mixer, camera, or similar device able to supply phantom power. The adapter is functional at 12V, but requires 48V for the connected mic to reach full specifications. The active-signal balanced wiring allows for longer cable runs with less noise?with a common mode rejection ratio (CMRR) that is better than 60 dB in the 50 Hz to 15 kHz range. This version features a belt clip for added convenience in mobile situations. The belt clip can be removed for direct camera connections if desired.The DPA?DAD6001 is an adapter featuring XLR and Microdot connections allowing you to attach a miniature DPA microphone to a preamp, mixer, camera, or similar device able to supply phantom power. The adapter is functional at 12V, but requires 48V for the connected mic to reach full specifications. The active-signal balanced wiring allows for longer cable runs with less noise?with a common mode rejection ratio (CMRR) that is better than 60 dB in the 50 Hz to 15 kHz range. This version features a belt clip for added convenience in mobile situations. The belt clip can be removed for direct camera connections if desired.The DPA Microphones Stereo Boom Excluding Holders UA0837 is a precision-crafted microphone boom, perfect for secure mounting of microphone pairs for A-B stereo recordings. It can be adjusted for both microphone spacing and microphone angle. And the boom can be mounted on a stand, or suspended from wires. Using this model, you can also fit the DUA0019 19 mm spacer to assemble an XY stereo or ORTF stereo setup with two Standard Cardioid Microphones, Type 4011-TL or 4012. This unit is also available with (2) UA0961 Microphone Holders as model UA836.The DPA Microphones Stereo Boom Excluding Holders UA0837 is a precision-crafted microphone boom, perfect for secure mounting of microphone pairs for A-B stereo recordings. It can be adjusted for both microphone spacing and microphone angle. And the boom can be mounted on a stand, or suspended from wires. Using this model, you can also fit the DUA0019 19 mm spacer to assemble an XY stereo or ORTF stereo setup with two Standard Cardioid Microphones, Type 4011-TL or 4012. This unit is also available with (2) UA0961 Microphone Holders as model UA836.Get the sound you want, by having the right microphone mount and the right mics. DPA designs this?Compact XY/ORTF Stereo Holder for advanced sound reproduction. It brings boom sound, mono compatibility, and convenient compatibility with windscreens. In ORTF stereo, use this holder for close miking pianos, overheads for drum kits,?orchestras, and ambient sound recordings. The holder allows you to arrange mics in both a coincident XY stereo configuration as well as in a near-coincident ORTF combined time and intensity difference stereo configuration. It comes with three common international-standard threads to easily secure the holder shaft to a range of microphone stands. DPA?delivers extreme quality; start here.Get the sound you want, by having the right microphone mount and the right mics. DPA designs this?Compact XY/ORTF Stereo Holder for advanced sound reproduction. It brings boom sound, mono compatibility, and convenient compatibility with windscreens. In ORTF stereo, use this holder for close miking pianos, overheads for drum kits,?orchestras, and ambient sound recordings. The holder allows you to arrange mics in both a coincident XY stereo configuration as well as in a near-coincident ORTF combined time and intensity difference stereo configuration. It comes with three common international-standard threads to easily secure the holder shaft to a range of microphone stands. DPA?delivers extreme quality; start here.The DPA Microphone Shock Mount UA0897 is designed for use in environments where vibration levels are unusually high. The shock mount features anti-vibration technology that minimizes movement, but does not affect acoustic quality. This unit is ideally suited for stand-mounted use in the studio or hand-held boom applications. This model comes standard with DDS0731 Rubber Mounts for 19mm microphones. It is also fitted with a thread adapter that accepts three of the most popular international standard threads used on microphone stands.The DPA Microphone Shock Mount UA0897 is designed for use in environments where vibration levels are unusually high. The shock mount features anti-vibration technology that minimizes movement, but does not affect acoustic quality. This unit is ideally suited for stand-mounted use in the studio or hand-held boom applications. This model comes standard with DDS0731 Rubber Mounts for 19mm microphones. It is also fitted with a thread adapter that accepts three of the most popular international standard threads used on microphone stands.Meant to be mounted in a piano frame (or any other magnetic surface), the DPA GM1500 Gooseneck Mount is a combination of magnet mount gooseneck and shock mount. Both omni-directional and directional microphones that are compact as well as larger fit this line. Based on the Rycote Lyre suspension system, almost any microphone can be used simply by adding another Lyre rubber piece. The shock mount is extremely flexible, the holders can be mounted facing both upside and downside and the poles can be adjusted by pushing them back and forth. The DAO4010 microphone cable using Mogami compact cable and an ultra slim DPA XLR housing will give an excellent visual elegance, adding only a few millimeters further length to the microphone. Most of the connector will be locked and hidden in the microphone itself.Meant to be mounted in a piano frame (or any other magnetic surface), the DPA GM1500 Gooseneck Mount is a combination of magnet mount gooseneck and shock mount. Both omni-directional and directional microphones that are compact as well as larger fit this line. Based on the Rycote Lyre suspension system, almost any microphone can be used simply by adding another Lyre rubber piece. The shock mount is extremely flexible, the holders can be mounted facing both upside and downside and the poles can be adjusted by pushing them back and forth. The DAO4010 microphone cable using Mogami compact cable and an ultra slim DPA XLR housing will give an excellent visual elegance, adding only a few millimeters further length to the microphone. Most of the connector will be locked and hidden in the microphone itself.The APE50RS Acoustic Pressure Equalizer, 50mm Ball for 4006A and 4006C Microphone from DPA Microphones is for modifying a microphone's on-axis and off-axis frequency response. It is used to give your recordings greater presence, nearness and clarity on-axis under reverberant conditions. The acoustic pressure equalizers are passive acoustic processors that function as both spatial and spectral modifiers. They use diffractions on the surface to modify the sound field near the microphone diaphragm. This technique works only with omnidirectional pressure microphones. With the APES50, two changes occur. An upper-midrange/high frequency boost (without changing the low end) due to the pressure build-up at certain frequencies depending on the element's size and more directionality at higher frequencies (focus).The APE50RS Acoustic Pressure Equalizer, 50mm Ball for 4006A and 4006C Microphone from DPA Microphones is for modifying a microphone's on-axis and off-axis frequency response. It is used to give your recordings greater presence, nearness and clarity on-axis under reverberant conditions. The acoustic pressure equalizers are passive acoustic processors that function as both spatial and spectral modifiers. They use diffractions on the surface to modify the sound field near the microphone diaphragm. This technique works only with omnidirectional pressure microphones. With the APES50, two changes occur. An upper-midrange/high frequency boost (without changing the low end) due to the pressure build-up at certain frequencies depending on the element's size and more directionality at higher frequencies (focus).DPA Microphones' UA0639 Microphone Clip is a stand adapter for handheld mics that offers a tight grip while still letting you remove and secure your mic with ease. The adapter mounts standard microphones with 0.75" (1.9 cm) housings.DPA Microphones' UA0639 Microphone Clip is a stand adapter for handheld mics that offers a tight grip while still letting you remove and secure your mic with ease. The adapter mounts standard microphones with 0.75" (1.9 cm) housings.DPA's UA0896 Windscreen for?0.75" (19mm)?Microphones works well indoors and outdoors but is best suited for vocal performances from short distances.DPA's UA0896 Windscreen for?0.75" (19mm)?Microphones works well indoors and outdoors but is best suited for vocal performances from short distances.The Windscreen for 2011C Microphone from DPA Microphones is intended for use with the DPA 2011C compact cardioid microphone to reduce noise and plosives when in use for outdoor, speech, and up close singing applications.The Windscreen for 2011C Microphone from DPA Microphones is intended for use with the DPA 2011C compact cardioid microphone to reduce noise and plosives when in use for outdoor, speech, and up close singing applications. |
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343,600원
1,104,000원
81,400원
164,200원
205,600원
41,400원
1,309,600원
67,600원
688,600원
550,600원
필독 주의 사항 |
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배송 과정 안내 |
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완벽한 포장과 배송 |
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A/S 대행 서비스 |
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교환/반품/취소 안내 |
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유의사항 |
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통관/관,부가세 안내 |
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배송비 및 수수료 안내 |
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고객센터 |
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